Archive for the 'photos' Category

European Vacation ’09

Ghost in the Machine: The Clash

Ghost in the Machine: The Clash

London Calling, cassette tape on canvas, 2009 — By Erika Iris Simmons

Two things that I really love about this illus­tra­tion by Erika Iris Simmons:

  1. It’s the iconic image from the cover of The Clash’s mas­ter­piece London Calling.
  2. It’s ren­dered with casette tape!

View it at the largest size to see the detail.

Camera Obscura & DJ Victoria Bergsman, at the Bell House

Victoria Bergsman

Victoria Bergsman, DJing at The Bell House in Brooklyn.

Ned­ward: Vic­to­ria Bergs­man (for­merly of The Con­cretes) is DJing at The Bell House, much to my delight. Wait­ing for Camera Obscura!

As big a fan of Camera Obscura as I am, the more inter­est­ing bit Tues­day night was a spe­cial guest DJ, Vic­to­ria Bergs­man. A lot of people know her voice as the female coun­ter­point in Young Folks, the Peter Bjorn and John sing-​along hit from a couple of years ago. But she was also the singer in one of my favorite bands, The Con­cretes. (Camera Obscura fans should check out their epony­mous debut album.) She has since left the band, and formed a solo project under the name Taken By Trees, (also a great debut).

Anyhow, I might have been the only person in the crowd that had any idea who she was – or cared – so Lisa encour­aged me to say hello. But, I’m just not one of those people who walks up to a famous person, and just gushes in their face. Call it shy­ness, call it fear of disappointment… the bottom line is that I chick­ened out.

To make mat­ters worse, Lisa went over to the DJ booth with­out me, and told Ms. Bergs­man that “her friend was a big fan,” but that he “didn’t want to bother her.” Nice. So now I’m shy, and embarrassed.

I don’t really regret it that much, but I would’ve liked to show off some dance moves from The Con­cretes’ On The Radio video. I’d like to think that she would’ve laughed.

Con­tinue read­ing ‘Camera Obscura & DJ Vic­to­ria Bergs­man, at the Bell House’

U.S. Airways Jet Crashes Into Hudson River

US Airways Plane Crash & Rescue

My photo from the 21st floor of the New York Times Building, in midtown.

From City Room:

A USAir­ways plane that took off at 3:26 p.m. from La Guardia Air­port landed in the Hudson River five min­utes later, where it remains mostly sub­merged. Fer­ries and other boats con­verged to help with a rescue effort, as the plane drifted south. There was no imme­di­ate infor­ma­tion about the 151 people on board.

Accord­ing to Chan­nel 4 tele­vi­sion news, the plane, USAir­ways flight 1549, took off from LaGuardia Air­port at 3:26 p.m. was bound for Char­lotte, N.C. and had 146 pas­sen­gers and 5 crew mem­bers. The plane, accord­ing to the news report, may have hit a flock of birds. The pilot tried to return to the air­port when the plane fell into the Hudson.

US Airways Plane Crash & Rescue

Photo of the rescue, posted by Janis Krums on Twitter/Twitpic.

I watched from the 21st floor of the Times Build­ing, as the plan drifted south with the tide. I believe that the rescue oper­a­tion com­pleted before it came into view, and it has since drifted out of view.

The plane did not break up on impact; divers, com­muter fer­ries and a lot of emer­gency per­son­nel are assist­ing with rescue oper­a­tions. Every­one is reported to have sur­vived the crash and rescue, as of this moment, but there are injuries. CNN is cur­rently inter­view­ing pas­sen­gers, live on-​air.

UPDATE: I don’t know how the Graph­ics team put this together so quickly and so ele­gantly, but NYTimes.com has an inter­ac­tive piece today, that tracks the plane’s path.

Also, CNN has been run­ning a Google Earth ani­ma­tion of the flight, which is less pretty, but kind of cool.

Obamicon.Me

Make your own Obamicon:

Your image in a style inspired by Shep­ard Fairey’s iconic poster. Regard­less of your can­di­date of choice in the 2008 elec­tion, here’s your chance to sound-​off.

From the folks at Paste, via Sean.

NY Magazine on Innovation at the Times

Renegades

Aron Pilhofer, Andrew DeVigal, Steve Duenes, Matthew Ericson, and Gabriel Dance.
Photo courtesy NY Mag / Mike McGregor
Election Day Word Train »
Faces of the Dead »
Pogue-o-matic »

Sure there’s been a lot of recent bad news about the New York Times Com­pany, and news­pa­pers coast-to-coast are pulling back cov­er­age, filing for bank­ruptcy and clos­ing. But there is also another story to tell.

New York Mag­a­zine has a piece in this week’s issue on the Times Mul­ti­me­dia, Graph­ics, Inter­ac­tive Tech and R&D groups, titled The New Jour­nal­ism: Goos­ing the Gray Lady. It details some of the orga­ni­za­tional steps taken by the Times, in order to posi­tion itself for the day when the online prod­uct eclipses the print edi­tion in reach, rev­enue and relevance.

Con­tinue read­ing ‘NY Mag­a­zine on Inno­va­tion at the Times’

Love Is All @ The Bowery Ballroom

light

Love Is All performing at the Bowery Ballroom, in Manhattan.

It was not as leg­endary as their first show at the Knit­ting Fac­tory, or the sweat-​dripped set at Market Hotel in Bush­wick this past summer, but Love Is All still knows how to bring it. They played a mix of songs from the new album A Hun­dred Things Keep Me Up At Night as well as from their debut, and even mixed in their Flock of Seag­ulls cover.

UPDATE: My Photos on Flickr » | NYCTaper’s Audio From the Show

Saving Buffalo’s Untold Beauty

Downtown Buffalo

Photo Credit: Tony Cenicola/The New York TimesA photo of downtown Buffalo.

The Times had a great piece yes­ter­day on Buffalo’s archi­tec­tural legacy, and recent attempts to save his­toric buildings:

Buf­falo is home to some of the great­est Amer­i­can archi­tec­ture of the late 19th and early 20th cen­turies, with major archi­tects like Henry Hobson Richard­son, Fred­er­ick Law Olm­sted, Louis Sul­li­van and Frank Lloyd Wright build­ing mar­vels here. Together they shaped one of the grand­est early visions of the demo­c­ra­tic Amer­i­can city.

Yet Buf­falo is more com­monly iden­ti­fied with the crum­bling infra­struc­ture, aban­doned homes and dwin­dling jobs that have defined the Rust Belt for the past 50 years. And for decades its archi­tec­ture has seemed strangely frozen in time.

There is also an accom­pa­ny­ing slide show, from which the photo above was taken.

Full dis­clo­sure: I’m orig­i­nally from Buffalo.

Who Said Print is Dead?

OBAMA

Today’s edition of the New York Times.

I count myself lucky today, for scor­ing a copy of the paper before they ran out. Appar­ently, the sit­u­a­tion is the same through­out the city, (though I’ve heard rumors of another 50,000 copy run).

In fact, there are a hun­dred or so people stand­ing on line out­side the Times head­quar­ters, wait­ing for a fresh deliv­ery of news, printed on dead trees.

Print Isn’t Dead

A hundred or so people, waiting on line for today’s paper, in front of the Times headquarters in midtown.

From Gawker:

Every­body wants a sou­venir of Obama’s vic­tory, and you know what makes a great sou­venir? That’s right, a news­pa­per. This is a photo of a line out­side the NYT build­ing on 40th Street of people waiting—for a newspaper!

I hope that people still come to the Times for more than just a souvenir.

New York Times Anthrax Scare

Who?

Equipment and officials from some government agency that I’ve never heard of, in the lobby of the New York Times Building in midtown.

The lobby of The New York Times Build­ing, where I work, was closed this past Wednes­day, after an employee on the 13th floor opened an enve­lope that con­tained a pow­dery sub­stance. (The 13th floor is where the edi­to­r­ial board and some colum­nists have offices.)

It turned out to be a hoax, but for sev­eral hours the build­ing was in near lock-​down mode. Unfor­tu­nately, I decided to dis­re­gard warn­ings and went out to meet Lisa for lunch. When I returned, I was locked out for almost an hour, as the police had roped off the building’s entrances. Peer­ing through the win­dows on the 8th Avenue side of the build­ing, I saw a huge cur­tain stretched across one of the ele­va­tor banks. Some fire­men went in with a stretcher, and the broad­cast news media started con­verg­ing on the street. (Apolo­gies to the very friendly NY1 cam­er­a­woman, for refus­ing to talk to her on camera.)

All I could do was to take some photos, and wait to be let in. After about an hour, I received word from a col­league inside that they were let­ting employ­ees back in through the freight ele­va­tors in the load­ing dock down 40th st. That was about all the fun I could handle for one day… back to work.

More Photos below the jump.

Con­tinue read­ing ‘New York Times Anthrax Scare’

Ready for David Pogue

Shadows

Me, standing in, as lighting is set for a David Pogue shoot.

Today, myself and a few col­leagues helped Zach Wise set up and shoot some green screen video of New York Times Tech­nol­ogy Colum­nist and near-​Broadway per­former David Pogue. The video will be inte­grated into a mul­ti­me­dia piece that Zach and I are work­ing on, which should be done before Thanksgiving.

This is the first real video shoot that I’ve worked on, (having in the past done a lot of voice-​over work with sound engi­neers). What’s scary is that we did this largely by our­selves – Zach found a studio at the nearby CUNY Grad­u­ate School of Jour­nal­ism, we hung the green fabric, and we set up the light­ing with a little help from their engineer.

David Pogue came in a short while later, I grabbed a boom mic, and we were off to the races. It was a lot of fun, and Pogue nailed the takes – I have no idea how he did it with­out a teleprompter, but he had us all laugh­ing sev­eral times. And he was very patient and friendly through­out the shoot, even when we had to embar­rass­ingly scram­ble back to the office for more P2 cards.

So, that was the hard part – now we have to design and build this thing.

Sacha Baron Cohen Crashes the Catwalk at Milan Fashion Week

Memorial, 7 years

Memorial

Twin beams of the Tribute in Light in lower Manhattan, as seen from the Promenade in Brooklyn Heights.

Embeddable Flickr Slideshows, and the DNC Convention Stage

Yearbook Yourself

Yearbook Yourself

Upload a photo of yourself, and they’ll take it from there – 1970, 1976, and 1986 respectively.

I had a lot of fun play­ing with Year­book Your­self, a site that will take your boring head­shot and turn it into embar­rass­ing year­book photos that never were.

The truly amaz­ing thing is that the 1970 com­pos­ite (left) is a dead-​ringer for my Dad around that time. This is what my mom kind of looked like in the early 60s.

Lucy

Lucy at Happy Hour (with a bone)

Lucy chomping on a bone at Abilene, during Happy Hour.

We’re dogsit­ting for Liz this week­end, and it’s been a blast.

While I def­i­nitely prefer the inde­pen­dence of cats in gen­eral, I’ve really enjoyed spend­ing time with Lucy – she’s a really good dog.

Carroll Will Never Be The Same

Carroll will never be the same

Barriers erected outside the Carroll Street MTA entrance at 2nd Place and Smith Street, in Carroll Gardens, Brooklyn.

Looks like the 360 Smith luxury condo devel­op­ment is going to shut down my subway entrance, and severely mess up the nice plaza in front:

Because the safety of our cus­tomers is of utmost con­cern, this clo­sure will be in effect on a 24-hour, 7 days per week basis for 6-8 months (sub­ject to the progress of the con­struc­tion project)…

See outside.in for more his­tory of this con­tro­ver­sial development.

A 3rd Climber

Peel

Workmen remove a flyer left behind by David Malone, who climbed the New York Times Building several hours before.

For the third time in five weeks, some­one has scaled the out­side of The New York Times Head­quar­ters. This time, how­ever, it was over and done before most of us got out of bed:

Unlike the two pre­vi­ous climbers, this one — iden­ti­fied later as David Malone, a 29-year-old activist from West Hart­ford, Conn., who stud­ies Al Qaeda — did not attempt to make his way to the roof. Instead, he unfurled a banner around the fifth floor of the 52-story build­ing, before climb­ing a few more stories.

Con­tinue read­ing ‘A 3rd Climber’

Business Week profile of Deborah Kenny

In the cur­rent Busi­ness Week, there is an inter­est­ing pro­file of Deb­o­rah Kenny, the founder Harlem Vil­lage Academies:

Kenny has applied a busi­ness man­age­ment style to run­ning her schools, focus­ing on attract­ing smart teach­ers, nur­tur­ing talent, using reams of data to improve per­for­mance, and putting a huge empha­sis on reward­ing results.

Kenny also hap­pens to be Lisa’s boss.

The Big Picture

NYTimes.com isn’t the only NYT prop­erty that’s doing inter­est­ing things with blogs these days – Boston.com launched a dif­fer­ent kind of photo blog ear­lier this month, The Big Pic­ture. With its over­sized photos, min­i­mal ads, and hardly a promo to other site con­tent, the pre­sen­ta­tion is clear and strik­ing – and praise is pour­ing in.

California Fires

Firefighters work to contain the Humboldt fire which started Wednesday, had grown to 19,000 acres and threatened more than 5,000 structures. (AP Photo/Jason Halley – Chico Enterprise-Record)

Another inter­est­ing facet about the blog is that it not writ­ten by a Globe pho­tog­ra­pher or photo editor, but by one of their web­site devel­op­ers. Andy Baio posted a great inter­view with the blog’s cre­ator and author, Alan Taylor, where he dis­cusses his inspi­ra­tion, method­ol­ogy, and what it’s like being a web devel­oper work­ing in a journalist’s world. When asked why more news­pa­per sites haven’t done this before, he replied:

“Even some of my favorite photo sites are often lim­ited to ‘Photo of the Day’ or ‘24 Hours in Pic­tures’ fea­tures. That’s inter­est­ing, and you can find some mind-​blowing images there, but I always felt like it lacked con­text, depth, story.”

Iowa Floods

Brandon Smith carries his two cats, Fry and Bender, to dry land from their flooded and evacuated home on June 12, 2008 in Cedar Rapids, Iowa. (Photo by David Greedy/Getty Images)

As we move to an age where motion graph­ics and video reg­u­larly enhance our tra­di­tional news pre­sen­ta­tion, it’s inter­est­ing to take a step back and con­sider the power still pho­tog­ra­phy has to tell a story. And work­ing online with­out the space con­straint of print, news orga­ni­za­tions have an oppor­tu­nity to bring more depth and con­text to read­ers, through excel­lent photojournalism.

Alain Robert, climbing the New York Times Building

Never a dull moment here at the Times… Today, we wit­nessed Alain Robert climb the New York Times Build­ing on 8th Avenue facing 41st street. I took this with my iPhone on the 21st floor:

Alain Robert

He scaled up the ceramic rods that are affixed to the out­side of the build­ing, attract­ing hun­dreds of onlook­ers inside the build­ing, as well as down the street.

City Room has more about Alain and this stunt, includ­ing the news that he was arrested by NYPD after reach­ing the roof – 52 floors up from the street.

Con­tinue read­ing ‘Alain Robert, climb­ing the New York Times Building’

Farewell Sean & Louise

IMG_2875.JPG

Cupcakes! – Photo by Villafranca.

This week, the nytimes.com Design group says farewell to two really tal­ented col­leagues – Sean Vil­lafranca and Louise Ma. Sean is leav­ing to become Design Direc­tor at time.com, and Louise is going to free­lance, full-​time.

I’m still new around these parts, but Sean and Louise made me feel at home. We’re going to miss you guys! (But, we are hiring…)

Con­tinue read­ing ‘Farewell Sean & Louise’

Volvo

Volvo

Volvo, somewhere in Williamsburg between Berry and Wythe.

Lisa and I spent a good chunk of the week­end fur­ni­ture shop­ping, and spring clean­ing. On Sat­ur­day, we ven­tured deep into Con­necti­cut to go to an estate sale, in pur­suit of what turned out to be an American-​made Danish “style” dining set, which was just too big and ugly to buy. From there, we drove over to Beacon, NY, which has a couple of nice stores with mid-​century fur­ni­ture, (Anna found some amaz­ing stuff there). We had some coffee (photo below the fold), but left empty-​handed.

Con­tinue read­ing ‘Volvo’

Bye Bye, Soupy

Sabres trade Brian Camp­bell to Sharks for right wing Steve Bernier

“Don’t boo me when I come back,” the defense­man said this after­noon shortly after being traded to the San Jose Sharks.

It’s tough being a small-​market sports fan, espe­cially when the sport in ques­tion is hockey. For all the talk of parity in the NHL, it’s clear that there are two classes of teams – those will­ing to spend money to acquire and retain top talent, and the Buf­falo Sabres.

The Sabres suf­fered losing their two top cen­ter­men to free agency last off-​season, after post­ing the best record in the NHL and their second East­ern Con­fer­ence Cham­pi­onship loss in a row. One can argue about front office mis­takes in not sign­ing Briere and Drury, but in the end, it was their turn to cash in on a big con­tract, and Buf­falo was unwill­ing or could not afford to pay. (Let us not forget also that the Sabres were up against the salary cap all of last season.)

bye bye, Soupy.And now we have a home-​grown NHL super­star in Brian Camp­bell – two-​time All Star, spin-o-rama skater, and open-​ice hitter of R.J. Umberger – now due his big pay day at the end of this season, as he becomes eli­gi­ble for free agency. What are the Sabres to do?

Well, the only move is to trade him. The Sabres could not risk losing him for noth­ing, and Camp­bell and his agent seemed luke warm about sign­ing some­thing before the trade dead­line. I cer­tainly can’t blame either party.

But, I can feel sad. Being a fan of a small-​market team is tough, and I’d be lying if I weren’t a little jeal­ous that the Rangers or Ducks can just go buy whomever they want every year. In Buf­falo, we have to make our own stars.

After the jump, some high­lights from Soupy’s career in Buf­falo, includ­ing some of his hilar­i­ously hor­ri­ble local tele­vi­sion commercials.

Con­tinue read­ing ‘Bye Bye, Soupy’

Lunar Eclipse

Lunar Eclipse II

Tonight there was a Lunar Eclipse, the last one ’til 2010. Check out shadowandsubstance.com for more infor­ma­tion, or see if others have better photos on Flickr.

Taken on 4th Place in Car­roll Gar­dens, with my trusty (and shaky) SD750.

UPDATE: Lisa has a nice shot, from her D50.