Steven Heller on another Glenn beck gem:
In a recent broadcast, the resident propagandist at Fox News takes Rockefeller Center’s vintage public art and architecture to task for promoting Communism and Fascism through murals, friezes, and engravings bearing symbols that subliminally project vile values.
Politics aside, just watching the video, what is Beck’s point? That oil money funds communist revolution? That he is as good a propagandist as the communists?
The mind reels at his delusions.
London Calling, cassette tape on canvas, 2009 — By Erika Iris Simmons
Two things that I really love about this illustration by Erika Iris Simmons:
- It’s the iconic image from the cover of The Clash’s masterpiece London Calling.
- It’s rendered with casette tape!
View it at the largest size to see the detail.
I just sent the tweet above a few minutes ago, but wanted to post some more context about it here. MoMA launched a revamped web site today, with a lot of hook-ins to social networking sites like Flickr, Twitter, YouTube, Facebook, etc. But, one of the more compelling changes is the addition of a Facebook-style fixed nav bar, at the bottom:
The new MoMA.org, with its fixed navigation bar.
Continue reading ‘A New MoMA.org’
Things have been quiet around here over the holidays. I turned 31 years old on December 22, and then Lisa and I spent some time in Buffalo with our folks, where I got to see my newest baby cousin Aline.
The MASS MoCA campus was once the Sampson Shoe Company.
Then, after a few days back in Brooklyn, we headed up to the Berkshires for New Year’s Eve in North Adams – it’s not the most exciting town to ring in the new year, but we visited MASS MoCA, stayed in a wonderful hotel called The Porches, and had the best meal North Adams has to offer at the Gramercy Bistro.
I didn’t do a lot of reflecting and resolution-making, but I am thankful for my family and friends, and for how great 2008 was for Lisa and I. Lisa is fond of saying that each year has been better than the last, which is more than one can hope for in this world.
More photos below the jump.
Continue reading ‘New Year’s Eve in the Berkshires’
I TiVo most of the late-night talk shows each night, in the hopes that some band or author that I love is featured – somehow, that’s easier than preemptively scanning TV Guide. But, I was genuinely surprised and thrilled to see the illustrator and writer Bruce McCall as a guest on David Letterman’s show, the other night.
I’m far too young to know his work from the National Lampoon, but McCall’s New Yorker covers are ingrained in my memory:
Some of Bruce McCall’s New Yorker covers, from 1995–2008.
Letterman’s show might not have the cultural relevance that it once did, but you get the sense by watching the segment that he’d rather be sitting there talking to McCall, than Mary-Kate or that chick from Twilight. It’s just one of the many things that make Dave tick, and why I have a TiVo season pass for the Late Show.
In the clip below, Letterman and McCall look at and discuss some of the work in McCall’s new children’s book, Marveltown.
Continue reading ‘Bruce McCall on Letterman’
Jake Dobkin presents 40+ Street Artists You Should Know Besides Banksy:
Everyone knows who Banksy is – but the international streetart community has hundreds of other great artists that deserve your attention. Here’s a selection of the very best.
One of my favorite blogs on NYTimes.com is written by the German illustrator Christoph Niemann, called Abstract City. He only posts once a month or so, but each one is as unique and interesting as the last.
And, it is amusing that his blog – of all NYTimes.com blogs – doesn’t have an illustrated icon in the header. It’s not intentional on our part, he just hasn’t gotten to it yet.
See More of Christoph Niemann’s work »
While we were in Boston this past weekend, we stopped by our friend Lindsey Warren’s studio at BU, where she is just completing her MFA in painting. She just sold a bunch of work at the graduate student show a few weeks back, and still has some amazing stuff left. We also got to see some works in progress – including some interesting printmaking.
But, the best thing about the visit was that we purchased an amazing painting, 405 Sunset:
This painting was featured in the Boston Globe Magazine last summer:
Lindsey Warren uses lurid colors and a surprising range of textures to evoke a world shimmering on the edge of dissolution, from the woodsy, dappled ‘Power Outage’ to the crisp, sun-stroked ‘405 Sunset.’
So we’re excited to get this piece to Brooklyn, but that will take some time since it measures 4′x 5′– we’ll have to get it crated and shipped.
Take a look at her work, and contact her if you’re interested in stopping by her studio – she’ll be there until mid-June.
Continue reading ‘405 Sunset’
This past Sunday, we attended the Banksy opening at the Vanina Holasek Gallery in Chelsea. I love Banksy’s work, but it seemed a little odd to see his stenciled work framed and matted in a gallery, with penciled-in price tags labeled on the wall – $30k, $60k, $150k. It seemed a far cry from the street art and subversive work that he’s known for.
Still, he’s one of the more interesting contemporary artists out there – Lauren Collins has a nice profile piece, from The New Yorker in May. And, I love his album artwork for Blur’s last LP, in 2003.
More photos, and a video of Banksy’s subversive museum activity below the fold.
Continue reading ‘Banksy Opening’
“Peepers”, posted by nedward
I was browsing around the Gorillaz site today, kind of looking forward to the new record, and I stumbled across a link to a Birmingham UK art collective, Beat13. I really liked the illustrations done by Lucy Mclauchlan, so I ordered a screenprint… only £53.00, limited edition of 200.
Flipping to the Op-Ed page of the Boston Globe today, I was suprised and encouraged to see that they printed a column criticizing a recent exhibit at the Jewish Museum in New York. This kind of exhibit, which featured works that use Holocaust themes (and nazi symbols) in a postmodernist context of irony and kitsch, seems so tired and done-before, and contributes little to the tradition of Art and cultural offerings in this country.
And if the Globe isn’t a sufficiently Liberal source, (it’s probably the most Liberal major newspaper of record, thankfully), The Village Voice offered a negative review too. I’d be interested to hear first-hand, from people who’ve attended it. Anyone checked it out?